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Lace, and Gloss: Highlights from Day Three of Moscow Fashion Week  

The third day of the event brings together dozens of runway shows

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Day Three of Moscow Fashion Week  

In the center of the Russian capital, at the ‘Manege,’ Moscow Fashion Week continues, running through March 19. The third day of the event brings together dozens of runway shows by designers from Moscow, St. Petersburg, Yekaterinburg, Yakutsk, and Chelyabinsk.

On the runways, Victorian aesthetics meets bold gloss, while the Yakut cultural code intersects with architectural geometry. Bohemian chic stands alongside deconstruction, elegance is paired with avant-garde silhouettes, and footprints of the industrial world emerge as defining design elements.

Viva Vox (Moscow)

The Viva Vox Fall–Winter 2026/27 collection was presented at the Vesper Tverskaya penthouse during Moscow Fashion Week. In the new collection, Oleg Ovsiyov experiments with reinterpreting contemporary youth style through the elegance of the Victorian era. The brand showcases looks combining the strictness of tailcoats and classic neckerchiefs with crinolines and bustles. The designer invites dressing ‘for fun,’ trying on the looks of refined rebels, where each piece of clothing highlights personality rather than concealing it.

Esve (Moscow)

At Moscow Fashion Week, the brand Esve, designed by Svetlana Kuzina, celebrates its tenth anniversary on the runway. The new collection presents bohemian chic, reflected in bold cuts and Renaissance-core, visible in flowing, voluminous hems, as well as boudoir style, expressed through silk pieces. Despite the contrasting aesthetics, the collection is unified by flawless silhouettes, a vibrant color palette, active ruffles, and daring details that make it striking and sensual. 

Elisabetta (St. Petersburg)

The St. Petersburg brand Elisabetta transports the audience to the aristocratic 1950s with its new collection, ‘Heavenly Flow.’ Designer Alena Chuprinina reinterprets the silhouettes of outerwear from the past and presents them in a contemporary way. The audience saw on-trend capes and coats in various silhouettes, from tuxedos to macintoshes. Most pieces are adorned with equally striking details – fur trims that elegantly accentuate cuffs, collars, and edges of outerwear. 

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Capparel (Yekaterinburg)

The third day of Moscow Fashion Week concluded with a show by Capparel. The brand presents its Spring–Summer collection, ‘Trace’. At the center of the line are tire tracks and impressions of various defects, all created using decorative pleats, accent tucks, embossed textures, and frequent draping. The audience also saw complex geometry – for example, a sleeveless triangular coat, puffed shoulders, and royal hems in a variety of interpretations. Asymmetry and texture emerge as the key accents of the new collection.

Addicted_To… (Moscow)

The brand Addicted_To… presents its new collection, where glossy black emerges as one of the key shades. Pieces are crafted from patent leather. Graphic silhouettes appear in sharp shoulders and complex lines, minis paired with thigh-high boots, striking capes that can be worn alone or layered over a fitted dress or top, snake prints, and total shine.

Inniki X Eyge.co (Yakutsk)

The fashion house Inniki, in collaboration with Eyge.co, presents the cultural code of Yakutia with its collection, ‘Architecture of Blooming.’ The collection is built on the contrast between strict, geometric silhouettes and floral prints, patches, and ruffles. Dark tones dominate the line, primarily black and graphite, softened by white, terracotta, and dusty pink.

Kisselenko (St. Petersburg)

The fashion house Kisselenko demonstrates how deconstruction can create striking, versatile clothing. The brand presents its new collection, primarily in black tones and complex cuts. Embossed materials, decorative pleats, and accent textures elegantly complement the presented line. 

Ammonit (Moscow)

Ammonit has always been known for elegance, minimalism, and refinement. They carry this DNA through their collections – and the new one is no exception. This Fall–Winter line engages in a dialogue between the city’s dynamic energy and romantic lightness. Some silhouettes evoke childhood – sundresses and capes with delicate ruffles bring a sense of ease to otherwise structured looks. Elegant suits with accent collars and cuffs, insulated sets with ties, and refined coats add the necessary rigor. This is not just a collection; it is a manifesto of gentle strength.

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Koss (Moscow)

The third day of Moscow Fashion Week opens with a new collection by Koss. Olga Kosinski, the brand’s founder, emphasizes a diversity of color combinations, where lemon pairs with lilac, coral with muted mint, turquoise with cream, and powder pink with black. The palette also includes classic shades, with sandy beige and black appearing most frequently. The Spring mood subtly influences the cuts. Structured suits and tailored dresses feature elements like fringe and feathers, while the line is complemented by airy A-line chiffon skirts, jackets with O-shaped sleeves, and lace pieces that contrast against sets made from dense embossed leather.

Eulalique (Moscow)

The Moscow brand Eulalique presented its new collection, ‘Lace Field’. The concept of the line is inspired by the story of the founder’s great-grandmother, who created delicate lace by hand. But lace patterns are not the only foundation of the collection. The show opens with a model in a dress made from weightless fabric, followed by pieces crafted from batiste, silk, and archival lace. Sheer elements are harmoniously paired with denser materials within single outfits. 

HSE Art and Design School (Moscow)

As part of Moscow Fashion Week, students from the HSE Art and Design School present their collection. In their works, they explore the phenomenon of escapism and the ways the world has changed in recent years. The students create a mystical realm where costumes become an extension of flora and fauna. Fantastical details merge with complex silhouettes: irregular puffed shoulder pads contrast against royal hems adorned with long fringe, while a corset dress evokes a celebratory cake, decorated with paper origami and additional corsets.

Marusya Boyarova (Chelyabinsk)

The fashion house Marusya Boyarova presents its collection,’“Russian Soul in a Modern Form,’ where the local cultural code runs in tandem with present-day life and rhythm. The collection draws inspiration from artist Ivan Bilibin, whose works are infused with the essence of the Russian soul. At the heart of the line is delicate hand-made lace, long regarded as a heritage of ancient craft. Maria Kalmagorova, the brand’s founder, combines sheer materials with jacquard denim and other denser fabrics to emphasize contrast while highlighting the interplay of softness and audacity.

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Kuchugova (Moscow)

Anastasia Kuchugova, the brand’s founder, draws inspiration from the Soviet era, a period marked by elegance and femininity. She presents her Fall–Winter collection with nods to the 1950s. The fashion house reconstructs garments from that time: intricate cuts, elegant silhouettes, and a mix of classic and luxurious elements form the leitmotif of the new line. The audience sees coats and suits with iconic notched collars fully covered in shimmering sequins, sheer dresses, and loose-cut coats sometimes in vibrant colorways. The collection is further enhanced with theatrical leather gloves, cuffs, ostrich feathers, and lace inserts.


The Moscow Fashion Week program includes fashion shows by Russian and international designers, the Pop-Up Shop and the Showroom, as well as Lecture Hall featuring leading industry experts.

For full event schedules and attendance details, visit the official Moscow Fashion Week website.

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