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Where Can We Go to Watch Ugandan Film?

Where Can We Go to Watch Ugandan Film

 The iKon Awards happened this past weekend and I couldn’t help but notice, as the categories went by, one by one, that I barely recognized any of the films that were up to win. The category of best lead actor was supposed to have names that elicited excitement from the audience, but all the names were new to us. They weren’t household favorites, not because they weren’t good, but because we haven’t had a chance to see them. 

Which led me to ask, where do these high budget, well produced films go that we don’t get to see? There’s barely any promotion done once the film is out, save for some Instagram posts and the like. The general public has been left out of the conversation of film world. My answer was unveiled as the night went on. 

Matthew Nabwiso brought up many key issues the film industry still faces, including one big risk – that MNET or Multichoice is the only major film buyer, and if they stop then the industry would come to a halt. This is a sobering realization that the films made are not even for the Ugandan audience specifically, but for those around Africa who use multichoice. I feel like there could be a happy medium to introduce feature film to the average metropolitan ugandan, while still holding onto the safe space that is the multichoice deals.

Cinema films like these need to become part and parcel of our regular cinema experience. I’m sure we have mostly grown bored of Marvel movies and Disney animations, we can have a steady rotation of new Ugandan feature films in cinema for a limited time, and then they can go to the buyer. 

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A post shared by Nabwiso Films (@nabwisofilms)

I’m sure this sounds easier said than done, and there might have to be difficult conversations at the negotiating table, but I think it’s worth it to have the general public pay UGX 10,000 – 20,000 to see a movie about stories they can resonate with, stories that are well made and feel like home. Then after like 7 weeks it can move on to Mnet. I feel like that would be fair. 

For me, at least, I kept noting down the titles that sounded interesting to me, as each nomination came with a short clip of the film. “Maria”, “Kataleya”, “Karamoja”, “Maica” and “The boy from Kampala” among a few others. I want to experience them, and if that means getting DSTV for the month, then so be it. 

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I think there’s also a gap in promotion, although that’s a wider conversation to be had. I do remember though, when “The Girl in the Yellow Jumper” by Loukman Ali first came out. I don’t know if it was the excitement of it being on Netflix or love for Loukman’s directing style, but it was a must watch, and I witnessed a lot of people who got Netflix just to watch the movie, cancelling their subscription immediately after. 

Whichever one of these, promotion or accessibility, that is stopping Ugandan film from being a staple in Uganda, I hope the industry takes note of. 

atwiine@satisfashionug.com

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